Thursday, December 29, 2011
Friday, December 16, 2011
McNay T-shirt Design Contest Entries due February 24, 2012
McNay T-shirt Design Contest
Entries due February 24, 2012
Click HERE to download the McNay T-Shirt Contest Entry Form Below are the rules and other information you need to create and submit your entry for the McNay T-shirt Design Contest. Your design could be sold at the McNay Museum Store and worn by McNay fans all over the country. Read all of the rules very carefully, failure to follow them could result in disqualification of your submision.
Prizes
Grand prize winner. In addition to having his or her Entry Design selected as the design for the McNay T-shirt (which the Museum Store will print and sell), the t-shirt’s sales tag will feature the winner’s name and a brief bio. The winner also receives a McNay individual membership and a $100 gift certificate to the Museum Store.
Second prize winner receives a Modern Art at the McNay catalogue and a $50 gift certificate to the Museum Store.
Third prize winner. The third prize winner will receive two general admission tickets to the McNay Art Museum and a $25 gift certificate to the Museum Store.
Design Guidelines
Your design must be inspired by the McNay Art Museum.
Your design should include the words “McNay Art Museum” (although not mandatory).
Reproduction of works of art in the collection is not allowed, as it might infringe on the original artist's copyright.
T-shirt color can be either black or white.
Your design can only be on the front of the t-shirt.
You may submit up to three designs, but they must be submitted as separate entries.
Your design must be completely original. By submitting a design you are guaranteeing that you hold rights to everything on it, and that it does not contain any copyright material.
Design Specifications
· Your design may contain a maximum of four (4) colors (plus the shirt color).
· Design should not exceed 8 ½” x 11” inches.
It is best to create your design in a professional design program. If using Photoshop or other paint programs, then design must be no less than 600 dpi at 8 1/2" x 11" in dimension. If using Illustrator or Corel Draw, no dpi is required.
If design is hand-drawn it must be scanned and converted into a PDF file.
Please specify if your design is intended to be printed on a white or black t-shirt.
Your submission should be a PDF file no larger than 5MB. If you win we will ask you for the high resolution files.
Submission Agreement
· All submissions may be sent as an attachment to daniela.oliver@mcnayart.org or on a CD to
McNay Art Museum
Attn. McNay T-shirt Contest
6000 North New Braunfels
San Antonio Texas, 78209
· All submissions must be accompanied by the official McNay T-Shirt Contest Entry Form, submissions that do not include the form will be disqualified. Electronic submissions should include the completed form as an attachment. If you are unable to complete the form electronically please fax it to 210.824.0218.
· You must be 18 years or older to submit. If you’re younger you can still make a design, but it must be submitted on your behalf by a parent or guardian.
· The McNay Art Museum will have all rights to the winning design. By submitting you agree that if your design wins, it will be sold by the McNay Art Museum store on a t-shirt and other promotional items.
· We reserve the right to make adjustments to the winning design.
· You must submit your design by midnight Monday, February 24, 2012.
· Entries will be judged by the staff of the McNay Art Museum.
· These and other rules are elaborated in the legal agreement below.
· By submitting you are agreeing to all contest rules.
Click here to download the MCNAY ART MUSEUM T-SHIRT DESIGN CONTEST OFFICIAL CONTEST RULES
Thursday, December 15, 2011
Tuesday, December 13, 2011
Scott Adams
"Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep."
- Scott Adams, 1957, American Cartoonist (Dilbert)
Monday, December 12, 2011
Happy Birthday, Edvard Munch!
Edvard Munch
(born December 12, 1863—died January 23, 1944)
Edvard Munch developed a painting style that revolted against naturalism, using tortuous, free-flowing lines to express and personify emotion. His series Frieze of Life, which grew to 22 works, includes paintings The Voice, The Kiss, and his most famous work, The Scream. After a nervous breakdown in 1908-09, Munch's work became less intense, but his early, darker paintings define his legacy.
 |
| Munch's Summer Night's Dream (The Voice), from 1893, at MoMA. (Photo: Courtesy of MoMA)  The Scream |
To find out more about Edvard Munch, click on the link below:
Wednesday, December 7, 2011
Turning Graffiti Into A Positive Art
Turning Graffiti Into A Positive Art
By Azi Paybarah
It’s noon, hot, and Astoria’s chic Cavo nightspot is dead quiet.
The only person around is a 35-year-old woman who is preparing to paint a mural on one of the café’s courtyard walls.
The mural is supposed to look like a vine and brick facade, and that’s exactly what she will paint. After all, when there’s money involved, the client gets what they want.
Years ago, there wasn’t any money involved for Lady Pink, the first lady of graffiti who now paints murals and has artwork in museums.
As a teenage vandal, she would have spray-painted her name in curvaceous letters on Cavo’s wall in a search for attention and a chance to show off her talents.
Nowadays, Lady Pink is a respected artist who is known throughout the country for bringing street art to the walls of museums and for using her talents to convert spray-painting vandals into positive artists.
When she covers a wall with color, her name still pops up, but in her 20-plus-year-career, it has gone from being “graffiti” to arguably the best deterrent against it.
‘Pink Smith’
For Lady Pink, an Astoria resident who’s been featured in museums world wide and in the cult classic film “Wild Style,” said she likes to be known as Lady Pink and not by her real name, Sandra. She said, “Nobody knows who Sandra is.”
She does go by Pink Smith, with “Smith” referring to her husband’s name.
As a student at Manhattan’s High School for Art and Design in the late 1970’s, Pink said she began hitting trains and subways with her art because people said she couldn’t.
“I could not go and play in those subway trains, cause I was a girl, the same way you could not breed a baby because you’re a boy. It’s just not done,” recalled Pink. “I was like “I’m a (sic) prove you wrong. I’ll prove you wrong.
I’m a (sic) prove you all wrong…by late 1979, by 1980 I painted my first train.”
Pink’s status as the only female graffiti writer won her instant celebrity status in the heavily male dominated scene.
Although coy about her exploits, Pink’s well-documented work speaks for itself. In the world where pieces go up literally overnight, graffiti writers and admirers today still revere Pink’s work, 20 years later.
Except now, they admire her work in museums like The Whitney, the Queens Museum of Art, P.S. 1, the Museum of the City of New York and a host of others. They buy her artwork, and admire it in murals that she paints to stop illegal graffiti.
Yes, Lady Pink may have come above ground and hit the mainstream artworld, but her roots and connections are still with the street.
Graffiti: Art & Crime
Queens Museum of Art Executive Director Tom Finkelpearl said public art “is the best ways for people to express themselves in this city.” Finkelpearl, whose museum often hosts socially conscious exhibits, added, “Art gets dialogue going. That’s very good.” But to him, graffiti isn’t art.
“I can’t condone vandalism,” he said. “It’s really upsetting to me that people would need to write their name over and over again in public space. It’s this culture of fame. I really think it’s regrettable that they think that’s the only way to become famous.”And Pink agrees.
The legal distinction between graffiti and art is permission. With permission, it’s considered art on a legal wall. Those who paint without permission commit vandalism, she said, whether it’s public or private property.
“You can’t give them a legal wall,” said Pink of vandals, or “bombers.” “They’re not interested. They’re more interested in the aspect of breaking the law, being vandals and being rebellious. They don’t have the skills for it or the desire to paint something in the daytime.”
Paint Wars
So how can residents deter vandals, who Pink said often have medically recognized obsessive-compulsive disorder with writing their names?
With paint, she said. Lots of paint.
She suggested covering the graffiti immediately with a slab of fresh paint, and staying on top of it.
“I have two white garage doors. The first thing I had to do when I bought my house was clean off the graffiti. Anything that appears there is gone by morning. I maintain my property,” she said.
“I will not let it go to pieces.” The message that sends is “This is not a fame spot, this is not a permanent spot. Don’t waste your paint, just go somewhere else.”
But since surfacing from the subways and trains, Pink has devoted herself full-time to the art of graffiti.
She said another way to deter graffiti is to paint murals. She organizes mural paintings throughout the City, including one that might go up in the Steinway Street municipal Parking Lot on June 19 and 20 if the Department of Transportation approves it.
Similar to the one under the Hell Gate Bridge done earlier this year, Pink will be assisting students from the Frank Sinatra High School for the Arts.
“These walls have never been known to be tagged on,” said Pink under the Hell Gate Bridge when it was painted.
The walls are smooth, at street level, in the heart of Astoria’s bustling business district, and considered by vandals to be prime real estate.
Pink explained the walls aren’t “tagged on… “Because I’ve paid my dues, painted the trains in the ‘80’s.” Tony Meloni of the Anti-Crime Office, who helped bring murals to Hell Gate, said, “Kids do have respect for murals. They don’t hit a mural out of respect.”
As a world renowned artist who commands $8,000 a piece, she considers her free murals a way of “giving back” and not being “a culture vulture.”
Responsible Graffiti
Although her name still appears on walls as part of murals, Pink does her graffiti responsibly.
“No nipples. How often do I have to say that? No nipples. Look at the neighborhood we’re sitting in,” said Pink, recounting directions she’s given over the years.
For the artist whose canvas is left along the street, affixed to the street, the responsibility of public art is a matter of survival.
“We can’t do crazy political statements, or we can’t do social statements. We can’t do anything that’s crazy controversial because the opposing view will have our wall at their mercy.” Without a trace of regret, Pink added, “I end up having to censor our artists.”
Sitting in Cavo, before painting, she said, “You should maintain quality that is appropriate for the neighborhood.
And here in Queens, I can’t get away with the [art] that happens on the Lower East Side by Chico [another graffiti writer turned muralist]. I can’t get away with the crazy [art] that happens in the South Bronx. In Queens, it’s a mild mannered borough and people want quality work.”
That work includes an image of firefighters raising the American flag at Ground Zero, similar to the Marines at Iowa Jimo in World War II.
That is located on 36th Street by 47th Avenue in Long Island City, across the street from the High School for Aviation.
From Annoying To Famous
“By not just staying indoors and being aloof from the whole culture,” Pink said, “I can say ‘look baby, this is what you can do. Just save a few cans and practice a little, and then you can be really, really famous as opposed to just being annoying.’”
And giving back to the kids, and the community, is why she is still writing. In a sense, that’s why she’s always written.
“What we originally did on the subway trains was gave,” said Pink, “a bit of art and a bit of culture…to the public to our peers, our family to our friends, the common folk.”
In the end, Pink empowers.
“I empower community people because once we spiffy up a wall, they realize maybe we should clean up this wall, clean up over here.”
The only person around is a 35-year-old woman who is preparing to paint a mural on one of the café’s courtyard walls.
The mural is supposed to look like a vine and brick facade, and that’s exactly what she will paint. After all, when there’s money involved, the client gets what they want.
Years ago, there wasn’t any money involved for Lady Pink, the first lady of graffiti who now paints murals and has artwork in museums.
As a teenage vandal, she would have spray-painted her name in curvaceous letters on Cavo’s wall in a search for attention and a chance to show off her talents.
Nowadays, Lady Pink is a respected artist who is known throughout the country for bringing street art to the walls of museums and for using her talents to convert spray-painting vandals into positive artists.
When she covers a wall with color, her name still pops up, but in her 20-plus-year-career, it has gone from being “graffiti” to arguably the best deterrent against it.
‘Pink Smith’
For Lady Pink, an Astoria resident who’s been featured in museums world wide and in the cult classic film “Wild Style,” said she likes to be known as Lady Pink and not by her real name, Sandra. She said, “Nobody knows who Sandra is.”
She does go by Pink Smith, with “Smith” referring to her husband’s name.
As a student at Manhattan’s High School for Art and Design in the late 1970’s, Pink said she began hitting trains and subways with her art because people said she couldn’t.
“I could not go and play in those subway trains, cause I was a girl, the same way you could not breed a baby because you’re a boy. It’s just not done,” recalled Pink. “I was like “I’m a (sic) prove you wrong. I’ll prove you wrong.
I’m a (sic) prove you all wrong…by late 1979, by 1980 I painted my first train.”
Pink’s status as the only female graffiti writer won her instant celebrity status in the heavily male dominated scene.
Although coy about her exploits, Pink’s well-documented work speaks for itself. In the world where pieces go up literally overnight, graffiti writers and admirers today still revere Pink’s work, 20 years later.
Except now, they admire her work in museums like The Whitney, the Queens Museum of Art, P.S. 1, the Museum of the City of New York and a host of others. They buy her artwork, and admire it in murals that she paints to stop illegal graffiti.
Yes, Lady Pink may have come above ground and hit the mainstream artworld, but her roots and connections are still with the street.
Graffiti: Art & Crime
Queens Museum of Art Executive Director Tom Finkelpearl said public art “is the best ways for people to express themselves in this city.” Finkelpearl, whose museum often hosts socially conscious exhibits, added, “Art gets dialogue going. That’s very good.” But to him, graffiti isn’t art.
“I can’t condone vandalism,” he said. “It’s really upsetting to me that people would need to write their name over and over again in public space. It’s this culture of fame. I really think it’s regrettable that they think that’s the only way to become famous.”And Pink agrees.
The legal distinction between graffiti and art is permission. With permission, it’s considered art on a legal wall. Those who paint without permission commit vandalism, she said, whether it’s public or private property.
“You can’t give them a legal wall,” said Pink of vandals, or “bombers.” “They’re not interested. They’re more interested in the aspect of breaking the law, being vandals and being rebellious. They don’t have the skills for it or the desire to paint something in the daytime.”
Paint Wars
So how can residents deter vandals, who Pink said often have medically recognized obsessive-compulsive disorder with writing their names?
With paint, she said. Lots of paint.
She suggested covering the graffiti immediately with a slab of fresh paint, and staying on top of it.
“I have two white garage doors. The first thing I had to do when I bought my house was clean off the graffiti. Anything that appears there is gone by morning. I maintain my property,” she said.
“I will not let it go to pieces.” The message that sends is “This is not a fame spot, this is not a permanent spot. Don’t waste your paint, just go somewhere else.”
But since surfacing from the subways and trains, Pink has devoted herself full-time to the art of graffiti.
She said another way to deter graffiti is to paint murals. She organizes mural paintings throughout the City, including one that might go up in the Steinway Street municipal Parking Lot on June 19 and 20 if the Department of Transportation approves it.
Similar to the one under the Hell Gate Bridge done earlier this year, Pink will be assisting students from the Frank Sinatra High School for the Arts.
“These walls have never been known to be tagged on,” said Pink under the Hell Gate Bridge when it was painted.
The walls are smooth, at street level, in the heart of Astoria’s bustling business district, and considered by vandals to be prime real estate.
Pink explained the walls aren’t “tagged on… “Because I’ve paid my dues, painted the trains in the ‘80’s.” Tony Meloni of the Anti-Crime Office, who helped bring murals to Hell Gate, said, “Kids do have respect for murals. They don’t hit a mural out of respect.”
As a world renowned artist who commands $8,000 a piece, she considers her free murals a way of “giving back” and not being “a culture vulture.”
Responsible Graffiti
Although her name still appears on walls as part of murals, Pink does her graffiti responsibly.
“No nipples. How often do I have to say that? No nipples. Look at the neighborhood we’re sitting in,” said Pink, recounting directions she’s given over the years.
For the artist whose canvas is left along the street, affixed to the street, the responsibility of public art is a matter of survival.
“We can’t do crazy political statements, or we can’t do social statements. We can’t do anything that’s crazy controversial because the opposing view will have our wall at their mercy.” Without a trace of regret, Pink added, “I end up having to censor our artists.”
Sitting in Cavo, before painting, she said, “You should maintain quality that is appropriate for the neighborhood.
And here in Queens, I can’t get away with the [art] that happens on the Lower East Side by Chico [another graffiti writer turned muralist]. I can’t get away with the crazy [art] that happens in the South Bronx. In Queens, it’s a mild mannered borough and people want quality work.”
That work includes an image of firefighters raising the American flag at Ground Zero, similar to the Marines at Iowa Jimo in World War II.
That is located on 36th Street by 47th Avenue in Long Island City, across the street from the High School for Aviation.
From Annoying To Famous
“By not just staying indoors and being aloof from the whole culture,” Pink said, “I can say ‘look baby, this is what you can do. Just save a few cans and practice a little, and then you can be really, really famous as opposed to just being annoying.’”
And giving back to the kids, and the community, is why she is still writing. In a sense, that’s why she’s always written.
“What we originally did on the subway trains was gave,” said Pink, “a bit of art and a bit of culture…to the public to our peers, our family to our friends, the common folk.”
In the end, Pink empowers.
“I empower community people because once we spiffy up a wall, they realize maybe we should clean up this wall, clean up over here.”
When Graffiti Is Not Art . . . When residents need to remove illegal graffiti from their neighborhood, they should call the Mayor’s office’s Paint Program, which is part of the Anti-Graffiti Initiative. Organizations interested in cleaning up their streets can apply, and will be granted up to 26 gallons of paint, 26 rollers sleeves, 12 roller frames and the opportunity to request more supplies if needed. Applications are available on-line at www.nyc.gov/html/cau/html/anti_graffiti/main.shtml or through 311. 311 can also be used to report graffiti vandalism in progress or to report graffiti in any NYC public park. 311 is useful for reporting graffiti on street signs, highways, city owned residential buildings and any New York City Housing Authority housing. Residents can also call their local post office to take part in the adopt-a-mailbox program, which gives residents the supplies needed to paint over graffiti on mailboxes. | |
Tuesday, December 6, 2011
Monday, December 5, 2011
Happy Birthday, Walt Disney!
(born: Dec.5,1901 - died: Dec.15,1966)
Born December 5, 1901, in Chicago, Illinois, Walt Disney started a small animation studio in 1922 where he and a partner made one and two-minute animated advertising films for distribution to local movie theatres. By the1930s, he was famous as a pioneer of animated cartoon films and as the creator of such cartoon characters as Mickey Mouse and Donald Duck. Disneyland opened in 1955, and Walt Disney World, which was under construction at the time of his death, opened in 1971.
To find out more about Walt Disney, click on the link below:
