Walker Evans
(born: Nov. 3, 1903 - died: April 10,1975)  
Walker  Evans’ influence on photography during the second half  of the 20th  century was perhaps greater than that of any other figure.  His most  characteristic pictures show quotidian American life during the  second  quarter of the century, especially through the description of  its  vernacular architecture, its outdoor advertising, the beginnings of  its  automobile culture and its domestic interiors.                            
                                                                                                                               (born Nov. 3, 1903,  St. Louis, Mo., U.S.—died April 10, 1975,  New Haven, Conn.)  He  rejected the  prevailing highly aestheticized view of artistic  photography, of which Alfred Stieglitz  was the most visible proponent, and constructed instead  an artistic  strategy based on the poetic resonance of common but  exemplary facts,  clearly described. His most characteristic pictures  show quotidian  American life during the second quarter of the century,  especially  through the description of its vernacular architecture, its  outdoor  advertising, the beginnings of its automobile culture, and its  domestic  interiors. To find out more about Walker Evans Click on the link below:
Walker Evans Biography
![]()  | ||||
| A Miner''s Home, vicinity Morgantown, West Virginia. 1935 | 
![]()  | 
| untitled (Barber shop interior, Atlanta, Georgia), March 1936© Walker Evans Archive, The Metropolitan Museum of Modern Art | 
![]()  | 
| Shack and Ice Machine, Old Lyme, Connecticut, April 1973. (©Walker Evans Archive, The Metropolitan Museum of Art, New York). | 




Happy Birthday Walker Evans!
ReplyDeleteGabriella Hernandez
i like his strange black in white photographs .
ReplyDeleteHappy birthday, Walker Evans! He would be 108 right?
ReplyDelete-Erin O'Toole
9th grade
6th period
these photos are cool to look at.
ReplyDelete